Join Writers Read for an evening “Celebrating Feminist Experimentation” with Daphne Marlatt and Erin Moure. West Coast writer Daphne Marlatt, critically acclaimed poet and novelist, is known for her cross-genre work. Her most recent titles are Liquidities: Vancouver Poems Then and Now (2013) and Reading Sveva (2016), a poetic-ekphrastic biography of the Italian Canadian artist Sveva
DURGA CHEW-BOSE & HALEY MLOTEK: Thursday, October 12th, 2017, Molson Building MB 9.A Reading – 7pm Durga Chew-Bose Is a Montréal based writer whose work has appeared in The Guardian, Buzzfeed, The Hairpin, Rolling Stone, GQ, The New Inquiry, n+1, Interview, Paper, and Hazlitt. She will present her first book,
Join Writers Read for an evening “In Conversation” with Durga Chew-Bose and Haley Mlotek. Durga Chew-Bose Is a Montréal based writer whose work has appeared in The Guardian, Buzzfeed, The Hairpin, Rolling Stone, GQ, The New Inquiry, n+1, Interview, Paper, and Hazlitt. She will present her first book, Too Much
FRED MOTEN: Friday, September 29th, Hall Building Room H 763, 1455 de Maisonneuve 2017 Lahey Lecture – 4pm, H763 “And: A Reply to Daniel Tiffany’s ‘Cheap Signaling.’” Poetry Reading – 7pm, H763 Fred Moten is Professor of English at the University of California, Riverside. Moten’s work explores black studies, performance
Join Writers Read and the Concordia University Department of English for our 2017 Lahey Lecture, featuring Fred Moten, Professor of English at University of California, Riverside. Moten’s work explores black studies, performance studies, poetry and critical theory. He is the author of In the Break: The Aesthetics of the Black
The Writers Read 2017-18 season is almost underway and we are hosting a series of exciting events
In anticipation of Claudia Rankine’s visit to Concordia University we are featuring writing that responds to Rankine’s works Citizen: An American Lyric and Don’t Let Me Be Lonely. This piece is by Concordia MA student, Chalsley Taylor. Rankine will be giving a public reading at 7pm, March 10, 2017 in the DeSeve Cinema in Concordia’s
In anticipation of Claudia Rankine’s visit to Concordia University this week we will feature writing that responds to Rankine’s works Citizen: An American Lyric and Don’t Let Me Be Lonely. Rankine will be giving a public reading at 7pm, March 10, 2017 in the DeSeve Cinema in Concordia’s Library building on de Maisonneuve. Books will
In anticipation of Claudia Rankine’s visit to Concordia University this week we will feature writing by Concordia students responding to Claudia Rankine’s works Citizen: An American Lyric and Don’t Let Me Be Lonely. For now, here are the details and an article from New Statesmen: United states of prejudice: Claudia Rankine’s powerful interrogations of racism
An Evening with Claudia Rankine: March 10, 2017 7pm J.A. de Sève Cinema, Webster Library, Concordia University, 1400 Boulevard de Maisonneuve O, Montréal Join us for a reading and discussion with Claudia Rankine. She is the author of five collections of poetry including Citizen: An American Lyric and Don’t
~*~* 5pm Library Building, 6th Floor, 1400 de Maisonneuve ~*~* We talk about writing without respect to it as an embodied practice for some—always highly political and always highly personal. We talk about writing with a set of tools by which to understand it—tools that have turned into standards,
Off the Page Festival welcomes Damian Rogers Thursday, November 3rd, in Concordia’s Grey Nuns Building (1175 Rue St Mathieu), room M100, starting at 7:30pm. Damian Rogers is a social person. “I will talk to someone for hours, no problem. I’m good to talk, as they say,” Rogers recently told Trevor
From The Irrationalist. I am wearing dark glasses inside the house To match my dark mood. I have left all the sugar out of the pie. My rage is a kind of domestic rage. I learned it from my mother Who learned it from her mother before her
The schedule is here!! See you out and about. Download here: otp-fall2016-program-clr.
“I think ‘quirky’ is a term that’s used to dismiss work, in particular by women, that’s challenging or hard to categorize” – Anna Leventhal, Montreal Gazette In an interview with the Montreal Gazette, Anna Leventhal discusses her short story collection Sweet Affliction, and why she definitively does not want to be
In a recent interview with The Next Chapter on CBC Radio One, Jowita Bydlowska discusses the inspiration for her first novel, Guy: escaping herself. She started writing the novel during the editing stage of Drunk Mom, and found the idea of spending time in the mind of a misogynistic womanizer liberating after
Writers Read looks back at hosting prolific author, Francine Prose, in March, 2014, in Concordia’s Henry F. Hall building. Attendees crowded into the Hall conference room for a reading of Prose’s novel, Lovers at the Chameleon Club, Paris 1932 (HarperTorch, 2014), and later, a Q&A session with the Brooklyn native.
Off the Page event: November 4th, 7pm, York Amphitheatre, EV 1.605, 1515 Rue St. Catherine Those who know Evie Shockley from her 2006 publication, a half-red sea (Carolina Wren Press, 2006), will know how her lyrical style contains themes of ancestry and racial identity which flow through contexts of modern
“When men create characters based on themselves, they are innovative; when women do it, they’re shaming their families.” – Chloe Caldwell, Catapult Read Chloe Caldwell’s piece here. In a recent article for Catapult’s online magazine, Chloe Caldwell voices her frustration about the inequality of assumed shame for writers, especially
From A Pillow Book, pages 41-43. Some nights I visit Inés Fernández, the forlorn school teacher from southwestern Spain, who yawned once in the sun at a passing religious procession, felt a brief, searing pain through the back of her skull, and never slept another wink all her life. For
Here she’s talking about the Irrationalist. Read the entire piece over on LemonHound. The wonderful is on full display throughout The Irrationalist. The language is fresh, precise, and natural; the form and structure, both micro and macro, support the voice without overshadowing it. Throughout the book, Buffam references some of
Off The Page November 3rd – 5th, 2016 Following its stellar spring series in March 2016, Off The Page is back this fall with a fresh lineup of panels and readings. The festival, presented by Writers Read & Concordia University, boasts a busy three-day schedule from November 3 – 5
Debbie: An Epic will be performed in its entirety on Friday, October 21st in LB 671.05 at Concordia University’s LB building from 2 PM – 5 PM. Stop by anytime to listen or join in. & THEN:
Writers Read and Concordia University welcome Lisa Robertson and Laura Broadbent tonight at 7pm, in the York Amphitheatre, EV 1.605, 1515 Rue St. Catherine Readers first shook hands with Laura Broadbent through the pages of her remarkable, and strikingly titled book, Oh There You Are I Can’t See You Is
From Lisa Robertson’s Magenta Soul Whip. ‘The 69 heads of Messerschmidt cast in lead are not heaven.’ ‘The magnetic cures of Mesmer on the plastic soul are more difficult to characterize.’ ‘The heavens of Flanders are like textile in lustrousness – a bridal textile.’ ‘We see the classic theme of
Debbie: An Epic will be performed in its entirety on Friday, October 21st in LB 671.05 at Concordia University’s LB building from 2 PM – 5 PM. Stop by anytime to listen or join in.
“It was both fascinating and disturbing to read Jowita Bydlowska’s debut novel, Guy, during the same week news broke of Donald Trump’s 2005 comments describing how he likes to treat (or rather, sexually assault) women. As the recorded revelation sparked a widespread discussion about what men really say about women
DEBBIE: AN EPIC – A MARATHON READING LB. 671.05 CONCORDIA UNIVERSITY 21 OCTOBER – 2-5 PM
We have seen ghosts—in the flickering of light bulbs, of the body, and in the persisting reverberations of history. We hear them with our mouths and pens; we write them into memory. Who are they? Do they hear us? What do they know? “A Haunting” will address the question of
Are you, or is someone you know, a writer living in or near Montreal and looking to read work to an audience? Would you like to know what that work would sound like as re-imagined by a live band? Learn more and apply to perform here: https://docs.google.com/forms/d/e/1FAIpQLSeWJ5mQgUWF-wRJPeV84xBUx0RnjB-oRQDYHKhQ98YOpoo1Tw/viewform About the event:
Students were treated to a “smorgasboard” of sound. Jeramy signs Crabwise.
Writers Read looks back at hosting Julie Salverson with Peter van Wyck in January, 2012. Upon arriving at the York Theatre, attendees were treated to the cross-genre braiding of Salverson and Van Wyck’s research into Canada’s role in the Manhattan Project – the American project that resulted in the nuclear
On Friday October 21st, Writers Read in collaboration with Off The Page presents a live performance of Lisa Robertson’s Debbie: An Epic (New Star 1997) in the afternoon before we gather for an evening with Lisa Robertson herself and Laura Broadbent. Debbie: A Live Reading, Performance, Marathon October 21st, 2pm,
Those who attended March 2016’s Off the Page panel “A Queer is a Queer is a Queer” were lucky enough to witness a dynamic discussion between some of the most interesting voices in literature today, among them former Concordia student Zoe Whittall, a novelist and poet now based in Toronto. Her
“A hundred years ago…the Japanese steamship Komagata Maru set sail for Canada with 376 Sikh, Muslim, and Hindu migrants travelling from Punjab, India. They were refused entry at Vancouver, even though all passengers were British subjects. The Komagata Maru sat moored in Vancouver’s harbour for two months while courts decided the
Phinder Dulai, Tuesday October 11, 7pm, LB 6.646, 1400 De Maisonneuve Blvd. W. “Combined rhythmic discipline and a wide descriptive palette, wielded by a talented composer of word images; this would be the definition of anyone’s preferred reading. These essential elements are richly present in dream / arteries … While a
Join Writers Read on Friday October 7th at 2pm (MB 2.130, 1450 Rue Guy) for our first event of the season, as we host Don McKay and Jeramy Dodds, two equally original poets, for a reading and discussion about writing poetry, winning poetry prizes, and speaking in the voices of
In “Fridge Nocturne”, a short poem near the beginning of Don McKay’s selected poems, the sleepless poet lies listening to the sound of his fridge, ‘the old/armless weeping willow of the kitchen’. The fridge’s “Humble murmur” brings to his mind several distant rivers–“the Saugeen, the Goulais/the Raisin”. The permeability of
Hear McKay win from his Griffin Prize winning collection Strike Slip.